In CARICUK’s final stage, the focus will be on transformation: short-term institutional changes and the capacity to imagine something more radically different.

Institutional change

In terms of institutional change, the final stage starts with the making of two ten-minute films that invite institutions and academics to listen to young black people about how they feel when their black bodies are in institutional spaces.  One will be filmed at the RGS, the other on University of Birmingham campus.  The point is not to be in any way representative of the diverse experiences of all young black people in all educational institutions, but to provide a catalyst for thinking about black embodiment in institutional spaces.  Each film will be followed by a public online discussion, with a panel of institutional representatives and the film participants, to consider what each institution could do to make their buildings and campus more diverse and welcoming.

Beautiful experiments

Recognising that the negotiation of in/security is not just about mending what is wrong but is also about imagining better, the project finishes with two “beautiful experiments”  in which black scholars can imagine spaces of radical transformation.

The Global Black Geographies reading group is an international collection of postgraduates and early career researchers (ECRs), from Europe, Africa and the Americas, who meet regularly online to discuss academic readings.  Rita Gayle will draw on her media experience and on her PhD research on Black Feminist Collectives’ online publication practices, to work collectively with the group to produce a prototype online publication.

The final experiment in more radical transformation will be led by Tia-Monique Uzor, who will produce a dance-focused film, exploring black embodiment in UK landscapes.  Dr Uzor has a range of more conventional publications (see CV), but as a choreographer this film is an alternative, embodied form of academic output.  Dr Uzor’s vision is not to focus on current racialised exclusions, but to decentre whiteness and imagine a more liberating version of what black British embodiment can be.

The film will be launched, along with the publication prototype, at the fellowship’s final online public discussion event in December – the two experiments will strike the keynote for a concluding discussion about what the fellowship has achieved and the agendas it sets for Black British Geography.